About
Biography
Helio Santos (b. 1984, Colima, Mexico) is an artist, professor and researcher whose practice joins painting, data, internet culture and emerging technologies.
Trained as a painter and digital artist, he now works with creative coding, computer vision and artificial intelligence. Landscape, natural and urban, is his main subject and his conceptual vehicle for thinking about the relations between humans, nature and machines. He treats technology as an extension of the body and intellect rather than a neutral tool.
His approach reprograms machine vision so that it contemplates instead of controls, turning surveillance and data-extraction tools into creative agents. Recent research asks how AI might build ecological awareness instead of reinforcing extractive or techno-optimistic narratives. Earlier works used bots and artificial-life systems to confront violence, disappearance and border surveillance in Mexico.
His output includes oil paintings made with custom CNC plotters and robotic drawing systems, as well as digital and on-chain works. It has been exhibited in Paris, New York, London, Lisbon, Seoul, Tokyo, Mexico City, Copenhagen, Buenos Aires, Rome, Zurich, Amsterdam and Barcelona, and is held in private collections internationally.
Since 2017 he has been a full-time professor-researcher in the Visual Arts department of the Instituto Universitario de Bellas Artes, Universidad de Colima, where he leads the research group Visual Practices, Art, Territory and Community (UCOL-CA-129) and teaches the New Technologies workshop: net art, networks and public art on the internet. With the research group he organises the International Congress of Artistic Syncretism Habla el Arte, international since 2026.
- Education
- PhD in Humanities and Arts, ISU Universidad, in progress
MA in Digital Arts, Universitat Pompeu Fabra, Barcelona, 2009–2011
BA in Visual Arts, Universidad de Guadalajara, 2002–2006 - Grants
- Experimenta CDMX: Climate Change and Collaboration, Centro de Cultura Digital, 2019
FONCA Jóvenes Creadores, New Technologies, 2017–2018
FONCA Jóvenes Creadores, New Technologies, 2012–2013
PAPIAM, Programa de Apoyo a la Producción e Investigación en Arte y Medios, Centro Multimedia, CENART, 2012
PECDA, Programa de Estímulos a la Creación y al Desarrollo Artístico, Colima - Awards & selections
- HUG 100: Artists to Watch, 2024. International selection with jurors linked to MoMA, Christie’s, artnet and The Shed
Bienal de las Fronteras, 2015. Selected artist, prize winner
Screengrab New Media Arts Award, James Cook University, Australia, 2013. Selected artist - Residencies
- VCA Residency, VerticalCrypto Art, 5th cohort, 2023
Listhús Artist Residency, Ólafsfjörður, Iceland, 2016
Programa de Exploración Interdisciplinar: CMMAS, Morelia · CANTE, San Luis Potosí · La Parota, Colima, 2014 - Festivals & biennials
- ISEA 2012 Machine Wilderness, Albuquerque · FILE 2011, São Paulo · MIRADAS, Tijuana · Bienal de Artes Visuales de la UNAM · MOD, Guadalajara · BILIA, Mexico City · NFT Biennial, Tokyo
On-chain
NFT worksA large part of the work since 2021 lives on the blockchain, mainly on Tezos.
The main body of editions and unique works is minted on OBJKT and Teia: landscapes from Reconstructed Reality, works shown in OBJKT exhibitions such as Al aire libre (Copenhagen, 2024) and Still Wet (Berlin, 2026), and pieces from the Landscapebot and machine-painting line. Generative work such as A Hacker in the Pampas is on fxhash; Multiplexing Reality was released on Ethereum with Unit London; and a sovereign contract on Base holds work minted under the artist's own contract.
For Santos, blockchain is also a subject of research: he has written on blockchain, art and community, and on how on-chain culture changes the way art circulates and is collected.
- Tezos · main
- OBJKT · created works
Teia · helio_santos - Tezos · generative
- fxhash
- Writing
- Blockchain, arte y comunidad, 2026
Exhibitions
Solo & groupSolo exhibitions
- Meta-scapes
Colonna Contemporary, Wayne, Philadelphia, USA, 2025 - Al aire libre
Tech Contemporary Gallery, Copenhagen, Denmark, 2024. Curated by OBJKT - Máquina controladora del universo
Galería Unión, Mexico City, 2022 - p(AI)saje
Museo de Arte Contemporáneo de Querétaro, Mexico, 2021 - La pausa al borde del bosque
Unidad LVTN, Querétaro, Mexico, 2021 - LandscapeBot
Espacio Pared, Mexico, 2021 - Islandia. Paisaje ampliado
Museo Jorge Chávez Carrillo, Colima, Mexico, 2016 - Norðurland
Listhús, Ólafsfjörður, Iceland, 2016 - El Habitante
Museo Jorge Chávez Carrillo, Colima, Mexico, 2016 - Biocartografías
With Cecilia Vilca. Casa de la Cultura de Colima, Mexico, 2014 - Panóptico
With Cecilia Vilca. Ex Teresa Arte Actual, Mexico City, 2013 - Si ves actividad sospechosa…
Centro Cultural Fronterizo, Mexico, 2012 - La frontera de Texas
Escola d'Art de Vic, Vic, Spain, 2011 - Ruido sonidero
Museo Regional de Historia de Colima, Mexico, 2008
Group exhibitions, biennials and festivals
2026
- Still Wet
Galerie Met, Berlin, Germany. Curated by Kika Nicolela and Ruizhe Liang (OBJKT) - BYOB mx — Bring Your Own Beamer
Mexico City. Exhibition and drop, with Teia
2025
- Algorítmica Íntima :: Runtime
Centro de Cultura Digital, Mexico City. Curated by Emmanuel Martínez, Semántico 2.0 - OBJKT Pop-Up Show in the Streets of NYC
New York, USA. With Unfold Gallery, during NFT NYC. Curated by Raquel Gaudard and Kika Nicolela - Visual Detachment
Fakewhale × Verse, online - Drifting Landscapes
Wintercircus Arena, Ghent, Belgium
2024
- Echoes of Life — Memories of Fragile Ecosystems
Instituto Departamental de Bellas Artes, Cali, Colombia. Curated by Ana Aguirre and Diane Drubay - Screensavers
UNCOMMON Gallery, Seoul, South Korea - The Path to the Present, 1954–2024
Expanded.Art Gallery, Berlin, Germany - RGBMTL
Montreal, Canada. Curated by Danielle King - Eutopía
Hashtag #2, Pabellón de las Bellas Artes UCA, Buenos Aires, Argentina. Curated by Gabriela Serkin - Artcrush
Public screens in Belgium, Romania, the Netherlands, Indonesia and Australia. Curated by Fanny Lakoubay
2023
- Digital Dreams
Musée de la Mine, Bois-du-Luc, Belgium. Curated by Kika Nicolela - Non Fungible Conference
Superchief Gallery, Lisbon, Portugal - Bad Glitches Only
Superchief Gallery, Rome, Italy - NFT Biennial — Non-Binary Pavilion
UltraSuperNew Gallery, Tokyo, Japan - Computational Realism
The NFT Gallery, London and New York (VerticalCrypto Art) - Lapin blanc
La Conciergerie, La Motte-Servolex, France - Unbound Ecology in the Machine Age
Unit, London, UK - NFT Art Day ZRH
Zurich, Switzerland. Curated by OBJKT - NFT.NYC 2023
New York, USA. Curated by OBJKT - Multiplexing Reality
Unit London, online release
2022
- BILIA — Bienal Latinoamericana de Inteligencia Artificial
Mexico City - Retratos de un mundo incognoscible
Galería La Rebelde, Mexico City - NFTGRDN
Casa Basalta, Mexico City - NonNFT Summit
Mexico City
2021
- Maquinaturalis II
TopLap Factory, metaverse
2020
- Analog to Digital
Obition, South Korea - Maquinaturalis
La Fábrica VR, TopLap, Mexico. Curated by Malitzin Cortés - Algorave VR
Virtual reality performance, Mexico
2019
- Arte y Ambiente en Concierto
Congreso Nacional sobre Cambio Climático, Mexico - Sesiones Audiovisuales + Post-Amor
ACA Arte Contemporáneo, Colima, Mexico
2018
- Circuito Interuniversitario de Arte
Universidad de Guanajuato, Mexico - Creación en Movimiento
Museo de las Identidades Leonesas, Guanajuato, Mexico - VII Encuentro Internacional de Artes Sonoras
UNAM, Mexico City
2017
- Reencuadre, códigos y modos
Hunter College, New York, USA - Inclusión y diversidad
Universidad de Colima, Mexico - Fronteras/Fronteras
Instituto Cultural de México, Washington, D.C., USA
2016
- Desde el río, el paisaje es diferente
Funka Fest, Guayaquil, Ecuador - Fronteras
Instituto Cultural de México, Miami, USA - Bienal de Artes Visuales de la UNAM
MUCA UNAM, Mexico City - EYRI
Listhús, Ólafsfjörður, Iceland
2015
- Bienal de las Fronteras
Museo de Arte Contemporáneo de Tamaulipas, Matamoros, Mexico. Selected artist, prize winner - Acción Global por Ayotzinapa
Fenómeno 43, online. With 44
2014
- El arte de bordear
MAXXI, Rome, Italy - MOD — Festival Internacional de Arte Digital
Guadalajara, Mexico - Programa de Apoyo a la Producción e Investigación en Arte y Medios
Exhibition, CENART, Mexico City
2013
- Creación en Movimiento
FONCA, Cuernavaca, Mexico - antiAtlas des frontières
Musée des Tapisseries, Aix-en-Provence, France. With The Texas Border, with Joana Moll - Portas Abertas
Fundação Eugénio de Almeida, Évora, Portugal - Screengrab New Media Arts Award
James Cook University, Queensland, Australia. With Bioapp
2012
- ISEA 2012 — Machine Wilderness
Albuquerque Museum of Art and History, USA. With The Texas Border, with Joana Moll - MIRADAS — 5ª Bienal Nacional de Artes Visuales
Tijuana, Mexico
2011
- Arte 40
Museo Nacional de Arte, Mexico City - FILE 2011
Festival Internacional de Linguagem Eletrônica, São Paulo, Brazil. With The Texas Border, with Joana Moll - Checkpoints
Finger Lakes Environmental Film Festival, Ithaca, USA - Lexías
Fundación Telefónica, Lima, Peru
2010
- TV/ARTS/TV
Arts Santa Mònica, Barcelona, Spain
Texts
Writing & pressBy the artist
- Blockchain, arte y comunidad
Revista Interpretatio, 2026 - Paisajes pintados por máquinas
Column, Ciencia y futuro, El Comentario, Universidad de Colima, 18 August 2026 - Paisajes pintados por máquinas
Talk, Semántico 2.0. Inteligencias No Humanas – Otras Inteligencias, UNAM, Mexico City, 2025
On the work
- Crafting Landscapes
Kika Nicolela & Ombeline Rosset, OBJKT - Landscapebot: El incansable espejo de la paciencia
Malitzin Cortes (ES) - Tickle, Issue #88
Interviews & features
- Multiplexing Reality
Unit London, 2023 - Landscapes Data Interchange
ACCA, 2023 - HUG 100: Artists to Watch
2024